![]() My PSC500 controller is also sending MIDI clock to the Volca Beats, which plays a part latter on in the piece… in line with my previous experiment of incorporating percussion in Berlin School-inspired Music. Thus, the sequence is transposed for the last incoming note at all time. The microbrute plays the sequencer and receives the same MIDI notes as the JV-1080. This pad sound serves as a base for the whole track, as it plays a descending chord sequence. In this piece I use a custom patch on the JV-1018, loosely related to the Flying Waltz preset, but with an extensive use of the ring modulators. Fortunately those days are gone (are they?). ![]() The synthesis engine on this one is so great, it is easy to get lost while programming in it, but I guess that the JV1080 is a synth of its time, and at the time presets and preset-packs were all the rage, so manufacturers wouldn’t bother with the sound editing capabilities. It is frustrating that we have to program the JV1080 from a small dot-matrix display.
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